![what songs work with sax and dotty what songs work with sax and dotty](https://www.timebulletin.com/wp-content/uploads/2020/11/25-Fun-Facts-about-saxophone-you-need-to-know-on-Saxophone-Day.jpg)
Chris “Snake” Davis-“You’re The One” from his CD titled Snakebites on Skin Records via Ruth Hopkins, 27 Mayfield Rd, Halesowen, West Midlands, B62 9QW, UK.ĩ-10. Andrew Clark- “Cut Off” from his CD titled Jaywalking on Papasax Records, PO Box 5484, Bradford, MaĨ. Ed Calle-“Strut” and “Smood Dude” from his CD titled Twilight on Concord Records, PO Box 845, Concord, Ca 94522Ħ. Joey Arminio & The Family- “American Outlaw”ģ-4.
#What songs work with sax and dotty plus
Two CD set with text (440 pages) in MS Word and a 17 track guest artists music CD-photos and bios-$10.00 plus postage.Ī very special thanks to the following artists for contributing their talent and CD tracks.ġ. Preface/Foreword by Plas Johnson, Dave Woodford and U.K.’s Snake DavisĬontact John Laughter - for mailing information. THE HISTORY OF TOP 40 SAXOPHONE SOLOS 1955-2011 To order the 2 CD set with bios/photos (440 pages)
![what songs work with sax and dotty what songs work with sax and dotty](https://img.yumpu.com/3262675/1/500x640/songs-by-artist-3-columns.jpg)
Do you remember that song and solo that inspired you to pick up the saxophone? According to the contributors the background sax line was a vital part of the song so it was added. However, a few of the hits have a dominant sax line in the background but no solo per se.
![what songs work with sax and dotty what songs work with sax and dotty](https://i.pinimg.com/originals/3c/ec/20/3cec202f89a513dd9e80391266bc5561.png)
The majority of the listed hits contain an obvious solo. I hope we will one day have a complete and comprehensive account of these musicians. If you have additional information to add to the future editions, please contact me at and I will add your updates to the text. However, as I concluded the research and prepared this book to be published, I knew that an updated edition would follow in the future as more songs, names, and corrections surface. I have used Internet resources, email responses, and various books to confirm as many dates, names, and songs as possible. In most historical documents there is room for error and misinformation. Even in some recordings that used the singer’s own band, credit was not always given to those who made it happen. In some cases, had it not been for the studio musicians, the record might not have become a hit for the singer. Unfortunately, for many years in the world of pop music most session musicians were never given credit on the LP covers or CD liner notes. Who were the musicians who inspired many of us to learn to play the sax during the 1950s, 1960s, 1970s, 1980s, and 1990s? Where are they today? International popular music was about to change forever and one unique sound that was common to many hit records was the versatile styles of the saxophone. It was an exciting time for many teenagers. In 1956, Little Richard, Johnny Dankworth, The Dells, Ken MacIntosh, The Cadillacs, The Five Satins, Frankie Lymon and the Teenagers, and Bill Doggett also joined in and were recording the new Top 40 hits. Teenagers were tuning in and dancing to the new beat.
![what songs work with sax and dotty what songs work with sax and dotty](https://img.informer.com/screenshots/238/238095_2.png)
The new Top 40 hits of Fats Domino, The El Dorados, Billy Vaughn, Bill Haley and the Comets, and Pat Boone were filling the airwaves and jukeboxes across the globe. A CD set (434) pages in MS Word) with bios/photos and 17 music tracks can be purchased by contacting John Laughter New Sound The following list represents a long overdue salute to these musicians. Many of the hits featured sax players who never received credit, either on L.P. In addition, many UK artists led the inspiration overseas. In more recent years Marc Russo, Dave Koz, Kenny G, Kirk Whalum, Ernie Watts, Candy Dulfer or Gerald Albright. In the 50’s/60’S it may have been King Curtis, Boots Randolph, Lee Allen, Ace Cannon or Junior Walker. Many of the solos inspired students of all ages to pick up the sax and join a band. Over the years I have received many questions about the players whose solos were heard on the Top 40 "Pop" music hits. Contemporary Saxophone-foreword by Ernie Watts and preface Jay Davidson, was published in 1992 followed by the 2nd edition of Rock & Roll Saxophone in 1996. Rock & Roll Saxophone-foreword by Scott Page, was published in 1989.